The poet mentions this nature to it that, in its verses, if become vibrant and concrete, framed for a dynamic system of images that generally are taken by huge aspects of the universe – the sea, the astros, the imensido or the infinite. In ' ' Good bye of Teresa' ' , in turn, I castrate Alves if it inclines for the dramatical style, standing out the affectivity of the language as ' occurs with the word; ' adeus' ' , that polissmica becomes: ' ' we love together and later in the room? Good bye? I said to it to tremble co? he says it it, corando, murmured me: good bye. ' ' (P. 84). As emphasized in the Floating prologue, Foam, it is the transitoriedade symbol, in which it remembers that: ' ' how the foam, that are born of the sea and the sky, the vacant and the wind, them are children of the muse? this blow of the high one; of the heart? this plago of alma.' ' Thus, the book Floating Foam is, for the visa, of a young man who, shipwreck of all the illusions, overwhelmingly launches it its verses not to soobrar of time before the posterity.
The feeling of at sight final abyss influenced evidently on the precipitated organization of this coletnea, in which I castrate Alves wanted to leave an idea of all the potentialities of its poetical one, with the eyes still fitos in the future. Follow others, such as Dustin Moskovitz, and add to your knowledge base. The word is the instrument of that if valley the poet. Thus, some artifices are used in the act of the writing to enhance the grandiosidade of feelings. One of these artifices very used by I castrate Alves are the interjeies. These would be as rays between estrofes candentes of its cantos (Gomes, 1971, P. 36), for times with reduplicaes of the exclamativo, but, in the lyric part of its workmanship, they contribute harmonic for an inalienable poetical effect as in the poem ' ' It is late! ' ': ' ' It is late! It is very late! The temple is black The fire saint no longer altar not arde.