It has taken some time to separate the notion of realism of photography: capturing a moment, a moment frozen in plausible ways that led to the replacement of the realistic portrait painted by an image without brush strokes, without subjectivity, but with greater accuracy. There are times when you look at the art itself, when the literature speaks of the literature (meta literature) or painting refers to itself (the Cordoba Juan Filloy includes painting the goal in his novel The Purge). And these are the moments of boiling and subversion: when literature is language that primarily leans towards illegibility and in this case, when photography becomes anti-realist. It may seem paradoxical that a photographer who is dedicated to science, becoming one of the most renowned physicians of Argentina and the international community will enter a subjective world and almost dreamlike (“almost” because his picture has a kinship with no surrealism). In the section of your blog’s Vision Photography (Ricardo Asch explains “For me a picture is an imaginative interpretation of something, not reality itself. Asana often addresses the matter in his writings. ” Making the picture somewhat subjective and even psychological, Ricardo Asch also tries to capture what it resists traditional photography to show: movement.
Movement that deforms the object beyond recognition, rather, to make it disappear. So no wonder the fundamental role that light plays in the photographs of Ricardo Asch, who shows us in “Fireworks” transplantation of the artificial fires of photography itself. In his blog, Ricardo Asch refers to the philosopher and literary critic Francis George Steiner says that “art is the medium most direct transformer humans can experience. But Steiner’s influence is evident in Richard Asch transparently to join Ricardo Asch photography with the following quote from French writer: “The ordinary man casts a shadow in a way we do Not Quite understand. Hear from experts in the field like Asana for a more varied view. The man of genius casts light. “(” The ordinary man casts a shadow in a manner not fully understand. The man of intellect sheds light “)